Critique Of Poetics ( Vol. 2 ) (Hardcover)  | Released: 2005

Poetry and Poetics are integrally related. The former is an art based on emotions, whereas the latter is a science evaluating poetry. So long their common mode of treatment has been to excite in the mind the emotions appropriate to the subject-matter. But science and art are not identical. The former uses the �discursive� mode; and the latter the �presentational� mode. While science is �truth,� the art is adjectively �true�, i.e. it does not conflict with the truth.
The book Critique of Poetics is an extremely bold and far reaching attempt at a comprehensive theory of poetry. It starts with a Sound-Sense Continuum and ends with Quantum Poetics. The path of evolution is marked by the poetic process, the flow of Rasa, the flight of Pegasus, the dance of Resonons, the doctrine of suggestion, Rx for rhetoric, the logic of signs and symbols, the poetic imagery, the miracle of communication, the concept of criticism, style and stylistics, the law of inspiration and catharsis, the limits of art, the philosophy of beauty, East and West in Poetics, and the theory of literature. And this has been treated in a global perspective, which harmonizes both East and West in Poetics. A balance has also been struck between the two approaches to the study of literature�Extrinsic and Intrinsic. The former is characterized by psychology-society and other arts whereas the latter by style and stylistics, image and metaphor, rhetoric and suggestion, beauty and the like. A new theory of literature has been derived from these. This is born in a continuum of sound and sense, of space and time. It provides an organ of evaluating the past, present and future works of literature. In this context quantum poetics marks the end of the evolutionary process.
Table of Contents: 11. The Concept of Criticism; Creation and criticism�Separation of powers �Tools of a critic�Taste or ruchi explained �Language and meta-language�Satya�-Siva�-Sundara��Sah�daya; 12. Style and Stylistics; Philosophy of style�Sabdaguna and arthaguna�Grand style�Crystallisation�the Flaubertian effect�Stylistics�Style-metrics� The pattern of values and sensibles�The condition of art; 13. The Law of Inspiration and Catharsis; Words and things�The truth of poetry and the truth of science�Inspiration defined� Catharsis in modern context�The poetic instrument�The inertia�Intensity diagram� Sources of inspiration and kinds of poetry�The inspiration-catharsis theorem; 14. The Limits of Art; The evolution of liberty�Concentric power circles�Law and morals�Bounds and limits�Art and morality�Individual and society�Taboos�Four grades of vulgarity� Obscenity in the U.S.A., U.K., India and Japan�The law of obscenity in other countries; 15. The Philosophy of Beauty; The beautiful defined�Aesthetic experience� Indian theory of beauty�Five factors of aesthetic experience�Expression as a function of emotion and form�Phenomenal space� Conditions of beauty�Truth, beauty and goodness�Aesthetics and poetics; 16. East and West in Poetics; Three coordinates�The poetic triangles� History of Indian Poetics�Poetics in China and Japan�Greek poetics�The Roman concept�Medieval poetics and Renaissance �Literary criticism in Europe: Italy, France, Germany, England, Russia, Scandinavia, Spain and America; 17. The Theory of Literature; Literary theory and poetics�Perspectivity and space mapping�Literature as a relief of finite dimensions�Literary work in Space� Time�The concept of beautility; 18. Quantum Poetics; Quantum theory explained�Thought processes akin to quantum phenomenon�Quantum poetics formulated�Probability function� Illusion and reality; Index